Inmate #A-93223: In the San Quentin of My Mind
My father abused
women.
This was my first thought when a Native woman contacted me
to ask about a prominent Native male writer’s history as a sexual harasser.
My second thought was for the writer’s immediate family, his
wife, his children.
If there’s one thing I know, it’s how a father’s sins follow
his children like a storm cloud, waiting to burst when they least expect it.
*
My father was married three times, and during each marriage,
he went on alcoholic rampages, yelled and threatened and carried out those
threats. He beat his wives and children, belittled them, betrayed their love
for him. As a young first-time husband, an older husband in the marriage that
produced me, a middle-aged husband on a second try with my mother, and an
elderly husband with his last spouse: his age did not matter, or how far he had
come in terms of financial stability. In
his last marriage, he was so sick that he couldn’t even drink anymore, but his
frustration and rage over his physical disabilities – and whatever demons he
carried – still haunted him, his wife, his children and step-children.
I’ve written about my experience with my father when he
returned from San Quentin after serving an eight-year sentence (Bad Indians: A Tribal Memoir). But I have not written about what it’s like
to be the “out” child of an abuser. What
it’s like when everybody knows.
A few years ago, a colleague asked me, “Why was your father
sent to prison?”
Everything stopped. There was a hard, dead beat of silence.
My mind raced. I could lie. I could sugar-coat it. I could make a joke
out of it. But could I just . . . say it?
I’d written it down, published it even, but I had not said
it aloud, in casual conversation, to someone I barely knew. I had only ever said it in private, in
confidence, in the safety of friendship or love.
“Rape.”
The word came out of my mouth in an ugly gush of shame and
reluctance and rebellion. No, I would
not keep this secret for him. No, I
would not make it my secret. No, I would not bear the sins of my father
for him. But yes: it was an awful thing to admit.
“Wow,” my colleague said: “That must have been hard to say.”
I shrugged. It is
what it is, I mumbled, or something like that.
I’ve spent most of my life unpacking what it means to be the
daughter of a man who has committed crimes against women. My father’s sentence was harsh, in part,
because he did not just rape a woman; he beat her, badly (he was also a very
dark Indigenous man with a Spanish surname; that didn’t help his cause). I saw his fury first-hand; I knew the terror
of being caught out by it, trapped by it, made helpless and dehumanized by it. I cannot imagine having it cut loose on me in
a dark parking lot.
As a child, I knew that my daddy was in prison. It was as much a part of my growing-up as
knowing where my dark hair, dark eyes and brown skin came from – my Dad. He was incarcerated when I was three years
old. I didn’t see him again until I was
thirteen. In the interim, he’d spent
eight years in a maximum-security prison (then lived in Los Angeles for a few
years before I saw him again). Every
once in a while, an envelope with intriguing, back-slanting handwriting showed
up in our mailbox, even though we moved almost every year. The return address corner of the envelope read
Box No. A-93223, Tamal, California 94964.
“A-93223” was my father’s inmate number.
I still have a few pieces of that correspondence. Some of
the envelopes are addressed to me, “Miss Deborah Ann Miranda” and others to my
mother, “Mrs Midgie E. Williamson.” Usually my father sent a cheap card, but
sometimes he wrote long rambling letters – front and back of a single piece of
unlined paper – in his odd, even hand.
In a 1968 letter he talked about sending out job applications, hoping
for parole, looking for a place to live: “Santa Monica or W.L.A. for me,
Midgie,” (it would be another two years before he actually made parole). My
name comes up a lot, though reading the letter now, I suspect not because my
father actually regretted missing out on eight years of my life; it was one way
my dad could be sure he and his “Midgie” were still connected – “How’s Debby
Ann making out? I sure have missed her very much, guess she has forgotten me by
now, que no?” – then right back into how bad he felt for angry things he’d said
in a previous letter “that hurt your feelings and your husband’s too.”
My dad asked for money, sent along a “Christmas package
authorization” form in bright red and green, checking off which of the approved
gifts he would prefer. The form lays out
rules: packages sent to San Quentin would be accepted no earlier than November
29, no later than December 20; no more than 15 pounds; must be composed only of
the approved items (‘NO HOMEMADE FRUITCAKE’).
Later, my dad wrote again to complain that he hadn’t even gotten a
Christmas card from us – “It sure hurt me not to receive any,” he wrote
reproachfully.
In 1968, the year my Dad sent that letter, I was seven years
old. I lived with my mom and step-father
in the Cedar View Trailer Park in Buckley, Washington. We were broke most of the time, though not as
broke as we would be in a few more years when we’d drive from one store to the
next searching for the cheapest price for hamburger, and settle on a pack of
hotdogs instead. Things happened to me
in that trailer park that I am still coming to terms with fifty years later,
things that left scars internally and externally. I needed my father; he was in prison. I needed rescuing; he had abandoned me. What would I have told him, if I could have?
An inmate’s children serve their time, too. At times in my life, it seemed as if my
father’s inmate number was my permanent address. Aside from missing my father
in ways I did not even have language to articulate, there was always that
question: “where is your dad?” and then, “what did he do?”
My mother never did tell me about my father’s crime. (The fact that, after his sentencing, she
experienced a kind of breakdown, quite literally disappeared for a year into
alcohol and grief, speaks volumes about the depth of her wound.) Somehow, I
learned my father was imprisoned for rape, but of course, rape meant nothing to
me at that time – even though one of my mother’s boyfriends molested me that
same year my father wrote asking for money and Christmas presents. Later, after he had moved back in with us
when I was thirteen, my Dad asked me, “Do you know what I went to prison for?”
and, saying he didn’t want me to hear it from anyone else, “It was rape.” He hastened to add that it wasn’t really rape, the girl had just lied to
him about her age, it was statutory rape,
and she just didn’t want her brothers to think she “was that kind of girl.”
The real reason my father wanted to be the one to tell me
was so he could craft the story his way; slant the truth backwards, like his
handwriting, so that it became his story
– not the story of the woman he’d attacked.
The woman he had
attacked. How much did it cost me to
write that, just now? And to remember
the scent of my father, the rich darkness of his skin, soft as tanned deer hide
against my cheek. The joy of leaping
into his arms and knowing he was strong enough to carry me, lift me up, swing
me around. The sound of his voice, like
flowing caramel. And to think: that same
strength meant he was too strong for the woman he attacked to fight off. She heard that same voice as he raped
her. She felt that skin against her
skin.
Having a father who hurts women changes a child; it colored
the way I saw the world as a little girl, before he left, and again as a
teenager, after his return. It helped
create a silent space inside my body where I learned to hide secrets – not my secrets, but the secrets of men who
hurt me. Like a foreign object, my body
formed a hard, rancid sack around that space, protected it from discovery,
while letting its poison seep out into my sense of self. I was ashamed to tell friends about my
father’s crime, thinking they would feel less loyalty to me; thinking they
would be afraid of him. In fact, of the
small group of solid girlfriends I had in high school, only one of them ever
came to visit our trailer. I always went to them. My home didn’t feel safe to me, either.
It’s one
thing to know the statistics: More than 4 in 5 American Indian and Alaska
Native women have experienced violence, and more than 1 in 2 have experienced
sexual violence. We are told that most
of those assaults are from non-Indigenous men, but what is it like
knowing that your father, the Indian man you adore despite everything, preys on
women, wants to dominate them, use whatever power he has to hurt them, demean
them, diminish their dignity?
I’m fifty-six years old, and I’m still figuring out how my
father’s crimes affected my own identity.
After years of therapy, I was still convinced that the mean,
self-critical voice in my head was mine, my
self-flagellation, until one day my therapist asked me, “Whose voice is
that?” and without missing a beat I replied, “My father’s.” I was stunned.
“I fought all my life to keep him out of my head,” I
whispered.
“I think he got in,” my therapist said quietly.
Knowing that your father hurts women means you always wonder
about that kernel of meanness in your own soul.
It means you question your ability to love, to support, the women in
your life – girlfriends, wives, daughters. If you are an Indigenous woman, it
can make you think that being Indian means nothing but pain.
If you are an
Indigenous woman, it might mean believing that you must deserve pain. It might mean
wrestling endlessly with your own daughter about her womanhood. It might mean letting men walk all over you
because you have learned that is their right.
If you are a man, it means you have no clear path towards
forming relationships with the women you love that is not fraught with
second-guessing and fear. It might mean
excessive loneliness and longing for the very people you have been taught are
weak and undeserving.
But most of all, knowing that your father hurts women means shame,
and anger, and guilt, and a tear down the middle of your soul; it means knowing
what you wish you didn’t know, and never being able to forget it.
In my case, I often think of the horrific patriarchal
colonization that was my father’s tribal history in the missions of California:
a form of historical trauma that traces directly from Catholic priests teaching
Indigenous parents how, and when, to beat their own children as punishment; those
same Indigenous parents had never seen or used corporal punishment but were,
themselves, punished by the priests if they did not beat their children.
Follow that up with generation after generation of poverty, dehumanizing
treatment from Spaniards, Mexicans and Americans, erasure of almost everything
Indigenous, a culture of shame and pain in which all Indigenous people were
devalued and debased, but especially Indigenous women. The only real power many
Indigenous men could claim was over women.
For some men, misogyny becomes the norm.
Misogyny becomes the norm.
That’s the worst thing about knowing your father hurts
women. Knowing that just because your father was hurt by people and events beyond his
control doesn’t give him the right to hurt others.
Knowing he should have been better than that, and he wasn’t.
Knowing that it was his decision.
Knowing that this is not ever going to go away, or not
matter.
Knowing that what he did is also a part of who you are, who
you will be, who you will love. It will
be part of your children. It will change
the direction of your life. It will
require you to be stronger than you think is fair. It will present you with challenges you did
not ask for. It will throw obstacles
down in front of you. It will make you
want to tear your skin off because you inherited that skin from him.
It will make you want to tear your heart out because you
can’t stop loving him. Even if you
convince yourself that you can stop, you can’t.
It might mean you act like you don’t love yourself.
As I write this tonight, a storm is brewing – on Twitter, on
Facebook, on blogs, and in mainstream news outlets. That major Native American
male writer being named one of the most relentless sexual harassers of Native
women writers, as well as women in the film industry, has been lauded and
celebrated for his (often uneven) work representing our under-represented
culture; he’s won all the big writing awards, movies have been made of his
works, and he is in demand as a speaker like no other Native writer, despite
his high speaking fee. Early on in his career, he was chosen as the darling of
reviewers and, with his charismatic, problematic, but always media-savvy
verbosity, to represent . . . well, us. And though it’s true that publishers seem
incapable of acknowledging more than one Indigenous writer at a time, a lot of this
writer’s success, both financially and as a writer, comes because the man knows
how to work a crowd. He is a performer.
I lived in the Seattle area while this man was a rising
star. We met a few times at writing events, conferences. But I knew he was volatile, unpredictable,
irreverent to the point of cruelty. Back
in the old days when we were all on the only Native Lit listserv, he joined
under a pseudonym so he could see what we were saying about him. Eventually, during a heated discussion about
mixed-blood writers, this man outed himself and told us all what he thought of
us – I don’t recall the details, except that he made it clear we were lesser
beings. I do recall thinking, or rather feeling, that this was a man to keep
clear of. So when we saw one another in
person, I asked after his wife, his son, then (when another baby came along)
his sons; I steered our conversations toward traffic on I-5, grandparents,
sleep deprivation. That was
it. He was never inappropriate with
me. He also never reached out to me,
something most Indigenous writers do frequently with one another – do you have
a piece for this anthology I’m editing, nice job on that poem in such-and-such
journal, hey I heard somebody has a new reading series you’d be good for – but
then he was mind-blowingly famous; he was busy.
Sure, he talked about anal sex during readings, blow jobs,
cursed up a storm. He went on long rants that were funny, at first, but
devolved into hatchet jobs for some poor target. Significantly, he often said the things about white people, colonization, and anti-Indian sentiments rampant in U.S. culture that needed to be said, that many Indians longed to say but did not dare. We loved him for those moments. His humor almost always pulled his fat out of the fire. But there are other
stories, too, that circulated on the down-low: he backed Indigenous women into corners, stalked them
by email, demanded sexual contact in exchange for not trashing their writing in
public. He rewarded women who adored him with invitations to readings, dinner,
book blurbs. And just to complicate things,
he did all these things for other women and never made a pass, creating a kind
of cognitive dissonance when women compared stories.
I believe the women who are now naming Sherman Alexie as a
man who has bullied, threatened, and sexually harassed them. I know these women. I’ve known most of them as long as I’ve known
Alexie, and they are strong, honest, loving human beings who have supported me
throughout my career as a writer, as a professor, through my life as a mother
and grandmother. These are the women who didn’t bat an eyelash when I came out,
who sympathized over rough reviews of my writing, shared their own stories of
struggle with me; women who create spaces in the literary world for Indigenous
women’s voices to live when Indigenous women’s voices are routinely ignored,
silenced and maligned.
I believe the women, because they are my community, and have
been, before and after whatever small successes I have had. They have little to gain, and everything to
lose, by telling their stories.
I know how hard, how painful, it is for an Indigenous woman
to “tell” on a powerful Indigenous man who has accepted the privileges of
power. On a man who has elevated the literature of our people into mainstream news, classrooms, bookstores.
And I know that, bad as this situation is for those women,
and for the field of Native American literature, these men create other
victims, too; ripples of violence and grief.
I know that when a father hurts women, his children and his
wife take a blow like nothing they’ve ever felt before. Though not guilty of
any crime, they’ll face a kind of sentencing anyway. Tonight, as the storm gets
ready to break, I am thinking of them, wincing at what is to come. I wish I could say something wise that would
make a difference. I wish I didn’t know how much hard work is in front of them.
I wish I could say:
Look, nobody gets to choose their parents. We do get to choose how we parent.
Even if the only child we ever parent is ourselves.
My father abused women. I carry that knowledge with me. For a
long time, carrying such heavy knowledge made me sick, depressed; it made me
abuse myself. Sometimes, it still does – I won’t lie to you, this is a lifelong
process. But at least now I use what I’ve learned from that experience: watch
out for women and children. Raise a son who values the women in his life, and
the tender side of his own soul. If your daughter struggles, stand as a model
of strength but do not presume to be
her strength. Never underestimate the destructive power of silence.
I don’t know the whole story behind Alexie’s actions. I
might never know. Yet it is part of the
pattern of an abuser to prevent those he abuses from sharing stories with one
another, through threats, pleading hard-luck, asking for another chance.
Poverty, a shattering childhood of abuse, the shame of being Indian in a
white world, brain damage due to seizures, brain surgery—in many ways, it
really does suck to be Sherman Alexie. And yet, life has sucked for many
of us in very similar ways, and we've managed to pull ourselves through life, write, and engage with
other Indigenous writers without sexually or otherwise harassing those
weaker than us.
Native women are finally speaking about the fear that
Sherman Alexie, a Native man, instilled in them through sexual harassment. That
prison of fear often seems impossible to escape. I know those walls, those
guards, those cells. My heart is with the women staging this break-out.
I know that nothing can contain this story now. The women
are speaking. I’m listening. Are you?